In Berlin, on May 4, 1945, these boys are awakening to the fact that the game they were engaged in just a few weeks ago, which lends the play its title, is being played-out for real, in the streets above their manhole.
The creation of expat Swedish actress Danijela Hodges, Thore House is set in an erotic nightclub and tells the interwoven stories of several of its denizens.
While there’s more than a smattering of sparkling one-liners, too many are laboured and teetering on cliché. The references to the musical whose name the play parodies are scant and practically pointless.
Howard Brenton’s play Paul is the extraordinary story of St Paul, whose faith and fanatical commitment, in the playwright’s view, was as important in establishing the Christian religion as Christ himself.
City for Sale is a slick modern comedy based not so much on an Orwellian ‘Brave New World’ as a Swifter version of a past one, back to the future of feudalism.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.