Even when individual works did not fully land for me dramaturgically, there is no denying the precision, intelligence and care of the artists creating them.
27 May 2026
Canberra
25 May 2026
Melbourne
25 May 2026
Sydney
25 May 2026
Melbourne
25 May 2026
Sydney
Latest Reviews
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Even when individual works did not fully land for me dramaturgically, there is no denying the precision, intelligence and care of the artists creating them.
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The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
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Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
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In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
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A small miracle of a play, Happy Feraren’s Savior is a sharp and sweeping satire on the sometimes-self-serving ignobility of sleek American NGOs.
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At Home at the Zoo luxuriates in the intensity of Albee’s ferocious humour, mood and impulse, a plunge into loneliness and aloneness leavened by laughter.
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Helios begins with the ancient Greek myth of Phaeton and gently pulls it into something recognisably human: school buses, mixtapes, teenage dares, grief, fathers, first kisses and one bright gold car.
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There is a lot to love about this show; the cast are strong, and the onstage band who interact in the main diner setting is a fun touch.