Captain Marvel is rocketing up the multiplex box-office at the moment, but, for my money, there’s a major marvel playing at Riverside Theatres at the moment that beats the kapow! out of that CGI blockbuster.
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The Mahler Chamber Orchestra is that rare beast among the world’s orchestras, a democratic institution. The players themselves founded it, and they choose their conductors. It has musicians from over 20 nations, and assembles for specific tours acoss Europe and the world.
Chamber Landscapes is a long weekend of chamber music held yearly as part of the Adelaide Festival at Ukaria, a cultural centre with an auditorium purpose-built for chamber music, quite possibly the best in the country.
I fell in love with Natalie Clein. Warm, unegotistical yet engaging, she spoke to the audience in the same vein as a simple remark attributed to her in the program, “The music is more important than me.”
Counting and Cracking is a profoundly affecting play, in which the lives of many people are actually or nearly destroyed by political decisions made both in Sri Lanka and in Australia.
Currently celebrating their 30th year as Australia’s largest independent theatre company, the stalwart of “Shakespeare Under the Stars” continues to present the classics to audiences much to their delight.
After queuing for some time in the unseasonably cold evening air, we were let into St Francis Xavier’s cathedral, where our seats, unallocated, were narrow wooden pews from which our view of the performance area was partially obscured by a pillar. Par for the course for attending a concert in a cathedral, of course.
Mind change trumps tree change in Daniela Giorgi’s Seed Bomb, a subtle, combustible comedy.
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Seed Bomb | subtlenuance
Mind change trumps tree change in Daniela Giorgi’s Seed Bomb, a subtle, combustible comedy.
Romeo & Juliet | Australian Shakespeare Company
Currently celebrating their 30th year as Australia’s largest independent theatre company, the stalwart of “Shakespeare Under the Stars” continues to present the classics to audiences much to their delight.
Natalie Clein and Katya Apekisheva | Musica Viva Australia
I fell in love with Natalie Clein. Warm, unegotistical yet engaging, she spoke to the audience in the same vein as a simple remark attributed to her in the program, “The music is more important than me.”
Jersey Boys: The Story of Frankie Valli and the Four Seasons
Jersey Boys is a perfectly timed piece of nostalgia backed by a brilliant soundtrack.
Trio Mediaeval | 2019 Adelaide Festival
After queuing for some time in the unseasonably cold evening air, we were let into St Francis Xavier’s cathedral, where our seats, unallocated, were narrow wooden pews from which our view of the performance area was partially obscured by a pillar. Par for the course for attending a concert in a cathedral, of course.