Emerald City | Melbourne Theatre Company

David Williamson has been writing for us and about us for half a century. Across theatre, film and television he has told our stories cleverly, humorously and often uncomfortably.

Billy Elliot The Musical

You know the feel good story of a young boy, from an unlikely background discovering a love and talent for ballet. It's a passion that's at odds with expectations and understanding of his family. Billy Elliot is the ultimate story of triumph over adversity.

Composer & Citizen: Chamber Landscapes

I declare that the weekend at Ukaria in the Adelaide Festival is a unique jewel in the musical calendar of Australia, where venue, audience, and performers, embraced by the curators of the weekend, combine to produce an experience as close to ideal as can be imagined.

Trois Grande Fugues | Lyon Opera Ballet

An evening when three different ballets are danced to a single score is a remarkable event. When that score is the inscrutable, un-danceable-to score that is Beethoven’s string quartet “Grosse Fuge” op 133, it becomes extraordinary.

Supreme comedy

Supreme Comedy is a pizza with the lot, with some ingredients working better than others.

Mouthpiece | Traverse Theatre Company

Fresh from last year’s Edinburgh Fringe Festival, this gripping and candid Australian Premiere is a most fitting exclusive addition to this year’s Adelaide Festival.

150 Psalms | Adelaide Festival

The 150 Psalms project mounted by the Adelaide Festival is unlike any other I’ve ever seen.

The Doctor | Almeida Theatre

You might not think that the ethics of the Hippocratic oath would provide a stimulating plot for the theatre, but the way Robert Icke’s drama interweaves this with all kinds of race, gender, and class prejudices makes this work a classic document of contemporary England.

Most read reviews

The Pond | Flight Path Theatre

Protagonists, He and She are so all over each other at the beginning of Con Nats’ The Pond, they don't just get a room, they buy a house.