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We are given, not a survey of her life, but rather a glimpse into Baker’s psyche.
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There is no denying the dramatic force of these sonatas, and there is drama in spades in Mustonen’s renderings.
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Another spectacular offering from Queensland Symphony Orchestra and another stellar reason to take a trip down memory lane.
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The topical and emotional impact of The Elocution of Benjamin Franklin is not diminished in this splendid production.
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A modern re-working of Chekhov’s play of the same name, perhaps comparable to Bernstein’s re-working of Romeo and Juliet in West Side Story.
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The whole show was one in which technical wizardry was wholly at the service of delighting, provoking, or astonishing the audience.
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Young, O’Neill, Ionis, and indeed every member of the orchestra understood how to let this music crack open the psyche, yet hold us there in ways that can transfigure our souls.
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Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.