Hir | Belvoir

Grotesque and misanthropic, Taylor Mac's Hir is identifiable as Theatre of Cruelty complete with repetitive projectile vomiting, piercing sound, public pissing, and bright stage lighting.

After The Dance | New Theatre

After The Dance concerns itself with the generation that missed the First World War by a whisker and were celebrating and commiserating the hard won peace with copious amounts of whisky – predominantly Irish in this production – gin, brandy, and wine (when one can be bothered to fetch it from the cellar).

Matrophobia! | The Daughters Collective

This show by The Daughters Collective touts itself as ‘honest’ feminist comedy delving into the ‘beauties, horrors and complexities of mother-daughter relationships.’ Maybe so, but unless I’ve missed something, great chunks of it come across as mother-blaming and lacking in context.

The Perfume Garden | Australian Bollywood Productions

Family, time, love, cultural identity, the migrant experience, magic and aging – themes which manifest as disappointment and frustration, resentment, compromise and broken promises.

Most read reviews

Othello | Pop-up Globe

Don’t miss this, it’s as satisfyingly dramatic and spectacular a production of Othello as you’re likely to see.

Voyage of Time | Melbourne Symphony Orchestra

If one were to summaries this production in a single word, that word might very well be “uncertainty”…

Memphis the Musical | StageArt

Continuing their exceptional season of productions, StageArt closes 2017 with perhaps their most ambitious project yet. Memphis, a jukebox musical with an upbeat score and a timely message to Australia.

Do Not Go Gentle | Drill Hall Theatre & Everyman Theatre Company

There are few topics more challenging than death, and the inevitable journey toward this state of non-being. The journey, one might say, is fraught with difficulty as we see our loved ones deteriorate, diminish, dement and lose their way; something we all fear; after all, what will happen to us come the evolution?

No End of Blame | Sport for Jove

Putting the ink into think, Howard Barker’s No End of Blame is as powerful and poignant, perhaps even more so, today, as it was when written, nearly forty years ago.

Most read news

Youngest ever winner of Australian Poetry Slam National Final

Solli Raphael from Coffs Harbour, NSW has been crowned the youngest ever winner of the Australian Poetry Slam National Final.

Best of Australian cabaret in the heart of Ballarat

Ballarat Cabaret Festival is back in the spotlight, taking centre stage in Ballarat from 5 – 8 October.

Sport for Jove announce 2018 Season

Now in it’s eighth successful year offering Sydney audiences an exciting, accessible and powerful voice, Sport for Jove Theatre announce their most exciting season to date.

Sydney Dance Company 2018 Season

 2018 marks Rafael Bonachela’s tenth year as Artistic Director of Sydney Dance Company and his first full-length work since the epic masterpiece 2 One Another and the critically acclaimed Project Rameau in 2012.

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