Pride & Prejudice* (*sort of) | Neil Gooding Productions & Woodward Productions

A nuanced and wild adaptation of one of the world’s most loved novels.

Hamlet | Sh!tfaced Shakespeare
This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Retrograde | Melbourne Theatre Company
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.

Cohen Noir | Monsieur Camembert