Applications are now open for the Frank Van Straten Fellowship program, commencing in March 2021, subject to COVID-19 restrictions.
Be You Inc. have recently launched a new grant initiative to provide financial assistance for disadvantaged and POC artists auditioning for tertiary performing arts programs this year.
Applications are now open for the two-year Contemporary Asian Australian Performance (CAAP) Directors Initiative at Melbourne Theatre Company.
The 2018 Melbourne Cabaret Fringe Festival is back!
Melbourne Theatre Company, in partnership with the Wilin Centre for Indigenous Arts and Cultural Development at the Victorian College of the Arts, is proudly continuing the Indigenous Scholarship Program in 2018 with an expanded program designed to foster career pathways for young Aboriginal and Torres Strait Islander people interested in the performing arts.
The Australia Council is calling for applications for an exciting residency offered for the first time as part of a partnership between the Australia Council and UKARIA Cultural Centre.
wit incorporated has announced another exciting season of theatre 2018, this time with a specific focus on access.
NOVA Entertainment and The Australian Ballet have partnered to create Meet Me at the Barre, a compelling podcast series that steps into the world of ballet, unveiling the stories behind one of Australia’s most respected creative companies.
Driftwood the Musical is a moving, enthralling story of a family surviving the ravages of war. It so timely, that it’s both poetical and painful.
This year's line-up, a cross section of some of the finest chamber ensembles in the country, would have graced any of Australia’s more well established festivals, and it is a massive endorsement of Festival Director Catherine Harker’s entrepreneurial skill that she was able to secure these wonderful musicians for a festival that too few people have yet heard of.
Set in Duluth Minnesota in 1934, The Girl from the North Country is a snapshot of troubled people enduring troubled times, gripped as they are by the Great Depression.
It's a brave actor that takes on a single hander. The challenge of remembering lines, and holding audience's attention alone on stage for an hour and a half is a gargantuan one. But the actor is not alone.
Charlotte and Scully delivered a thoughtful, funny, and moving new play that balanced toilet humour with hard-hitting, timely content.