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After the enormous success of Bringing Bach Bacharach, clever collaborators Libby Hammer and Ali Bodycoat have a new tribute show to film theme composer Henry Mancini.
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Ben wants to be a victor, but being a self centred dickhead does prove a problem. Narcissistic, neurotic Ben is the agonising protagonist of Jessie Eisenberg’s The Spoils.
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Pomona is a play about the commodification of the body, especially the bodies of women. More shockingly, it presents this anatomical monetising presided over and propagated by women.
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Polished song arrangements and well crafted stories filled with raw and disruptive content. A paradox.
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Laura Wade’s Olivier Award winning play is high on style but low on substance.
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If you enjoy more of an experience than a sit and watch, then Rust is right up your alley.
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David Suchet's charm, modesty and gentle charisma come together to generate an unexpectedly commanding stage presence, whether simply in the mode of a delightful raconteur or in his brief moments of full-on character performance.
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In Family Values, David Williamson softens us up with a string of rib tickling zingers, the dialogue dancing like a butterfly, before the zingers become stingers, a swarm of recriminations and rebukes, fanning out from the familial and into the wider world.
Most read reviews
Protagonists, He and She are so all over each other at the beginning of Con Nats’ The Pond, they don't just get a room, they buy a house.