Latest Reviews
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On the set of a big-budget Hollywood eco-thriller, the clock is ticking for an on time and under budget wrap.
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Unabashedly and unapologetically entertaining, Dirty Rotten Scoundrels delights in its hoax hokum, a whimsical hustle of musical comedy bustle.
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Even when individual works did not fully land for me dramaturgically, there is no denying the precision, intelligence and care of the artists creating them.
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The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
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Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
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In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
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A small miracle of a play, Happy Feraren’s Savior is a sharp and sweeping satire on the sometimes-self-serving ignobility of sleek American NGOs.
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At Home at the Zoo luxuriates in the intensity of Albee’s ferocious humour, mood and impulse, a plunge into loneliness and aloneness leavened by laughter.