Latest Reviews
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Behind every name is a story, or is it ‘behind every story there is a name’?
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A feminine counterpart to Krapps’s Last Tape, but funnier, and arguably less dour, Happy Days is happier, with wishful wisps of hope and a wistful whisper of nostalgia.
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There's something special about Aussie rural country towns. They all share some characteristics but they also each have their own treasured, unique traditions and private aspirations for their future, and a pride in their particular identity.
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Popular entertainer James Flynn returned for a swinging weekend of jazz on the 4th and 5thof June.
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Le Petit Prince or The Little Prince is a most beloved tale by the French pilot, writer and aristocrat, Antoin de Saint-Exupéry. A fable that will resonate no matter how old you are or whatever your life story.
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Based on real life events, The Lifespan of a Fact dissects what happens when the truth gets in the way of a good story and the moral implications of elaboration.
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Accompanied by the incredible Melbourne Sympathy Orchestra under the direction of Benjamin Northey, the comedic cabaret covid free powerhouse eventually arrived on stage to kick off two incredible hours over two fabulous evenings at our glorious Hamer Hall.
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This is a remarkable and very timely and pertinent play, expertly staged and directed by Libby Drake and masterfully (mistressfully?) acted by a very fine, large cast.
Most read reviews
Black Brass is a play, personal and political, told through music and song that spans continents, colonisation and culture, and all the complexities that encompasses.
Even though Jagged Little Pill – The Musical is based on the album of the same name, it is as far from a “jukebox musical” as anything could be.
Triple X is based on Glace Chase’s life experience and there is no doubting the raw honesty in the writing and her performance as Dexie.
Based on Antoine de Saint-Exupéry's universally adored and admired book, The Little Prince is a light and sound phantasmagoria augmented by aerial and acrobatic choreography.
There is nothing I could write that would convey the unbridled enthusiasm of the Opening Night audience at Priscilla, Queen of the Desert.