Laura Wade’s Olivier Award winning play is high on style but low on substance.
If you enjoy more of an experience than a sit and watch, then Rust is right up your alley.
David Suchet's charm, modesty and gentle charisma come together to generate an unexpectedly commanding stage presence, whether simply in the mode of a delightful raconteur or in his brief moments of full-on character performance.
In Family Values, David Williamson softens us up with a string of rib tickling zingers, the dialogue dancing like a butterfly, before the zingers become stingers, a swarm of recriminations and rebukes, fanning out from the familial and into the wider world.
Finely observed and rich with truth, it also has a score full of killer songs and knockout performances by its small but powerhouse cast.
Described as an "absurdist dark comedy", The Top Secret Violin Case ambitiously sets out to tell a story of the struggle to be true to self.
Corpsing threatens to pile as high as the corpses on the Newcastle bound train in this production of the The Ladykillers.
War Horse is a detailed and dedicated tribute to the far-reaching suffering of all sentient beings in war and for lovers of theatre, extraordinary evidence of your passion.
Sylvia Cornes certainly looked the part of Rickie Lee Jones with a sheer black mesh dress, a top hat with feathers and bare feet.
Yes, the bodies you see are perfect specimens of sculptured sixpacks and biceps you could walk over and get at least 2000 steps in. But they are muscles moving bodies in marvellous ways. These boys can dance and every movement is potent.
With the world struggling to find a new norm in these ever-changing circumstances, never has the phrase “the show must go on” been more apparent.
This is a production of which any director, cast and theatre company should be proud.