Latest Reviews
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Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
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No band. No spectacle. Two performers, a small collection of instruments, and a room prepared to listen.
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It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show.
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Even the instruments are custom-cool, bare down to the bones like the skeletal relics of orchestras of the underworld.
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Grace Wilson’s Gia Ophelia is a blistering examination of thwarted art and choices denied.
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McAlinden shows great promise and is a talented writer, her material was excellent.
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Cluedo is an energetically performed ensemble farce that either toyed with surprising us, or missed opportunities to do so.
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Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’.