To mix menagerie metaphors, in writing, performance and production, Chicken in a Biscuit is the ants pants, the bees knees, the cat’s meow, the cat’s whiskers, the cat’s pyjamas, a doggone delight.
Back to the Future: The Musical is its own kind of time machine. It straps you into the driver’s seat of the DeLorean and takes you back to when movies were cultural connective tissue.
Starting off with a fearless rendition of a ferocious monologue from an episode of VEEP, Lily riffs about her admiration and love for Julia Louis-Dreyfus.
MJ explores the genesis of genius and feels a very credible take on creative inspiration and influence.
This production is not so much a play as an essay in non binary advancement over five hundred years, some visually impressive, some laboured like the interminable vignettes that end the play.
It's a beautifully executed piece that balances its social commentary with phenomenal performances and humour.
Patrick Barlow’s irreverent reimagining of John Buchan’s British spy-thriller The 39 Steps is now playing at The Comedy Theatre.