Latest Reviews
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Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, vibrant, and exhilarating delivery.
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Croft and Spear revealed songwriting with intention, meaning, and an ethereal undercurrent.
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The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.
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For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.
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This show is cold and unyielding even when subjected to the fire of performance.
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The Festival of Death and Dying is not just a festival – it is a tender, artist-led act of remembering, and a deeply human invitation to witness ourselves, one another, and the stories that insist on being carried forward.
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A brilliant performance from start to finish.
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Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.