Boobs

Polished song arrangements and well crafted stories filled with raw and disruptive content. A paradox.

Home, I’m Darling | Melbourne Theatre Company

Laura Wade’s Olivier Award winning play is high on style but low on substance.

If you enjoy more of an experience than a sit and watch, then Rust is right up your alley.

Poirot and More: A Retrospective | David Suchet

David Suchet's charm, modesty and gentle charisma come together to generate an unexpectedly commanding stage presence, whether simply in the mode of a delightful raconteur or in his brief moments of full-on character performance.

Family Values | Griffin Theatre

In Family Values, David Williamson softens us up with a string of rib tickling zingers, the dialogue dancing like a butterfly, before the zingers become stingers, a swarm of recriminations and rebukes, fanning out from the familial and into the wider world.

The Life of Us | Hayes Theatre Co

Finely observed and rich with truth, it also has a score full of killer songs and knockout performances by its small but powerhouse cast.

The Top Secret Violin Case

Described as an "absurdist dark comedy", The Top Secret Violin Case ambitiously sets out to tell a story of the struggle to be true to self.

The Ladykillers | Genesian Theatre

Corpsing threatens to pile as high as the corpses on the Newcastle bound train in this production of the The Ladykillers.

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As You Like It | Melbourne Theatre Company

It’s been a long time coming, but the Melbourne Theatre Company’s production of William Shakespeare’s As You Like It finally premiered at the Sumner Theatre.

Humble Boy | Adelaide Repertory Theatre

Bees, death, astrophysics, entymology, string theory, words, and most of all, relationships are all features of this engaging play, but you don't have to know anything about any of them to be able to enjoy this final production for 2021 of the Adelaide Rep.

Can of Worms | The Wharf Revue

After twenty-one years with the Sydney Theatre Company, the Wharf Review has jumped ship, so to speak, dropping their anchor of satirical rancour and mooring at the York Theatre in the Seymour Centre.

Love, Loss and What I Wore | Come One Come All Productions

The soul of this piece is not the clothes themselves but what is hidden or declared in reference to the garments and how the characters and the people in their lives remember them.

Prayer Machine | Red Stitch Actors' Theatre

It’s been a long time in the making but Red Stitch Actors' Theatre was at last able to present the world premiere of Prayer Machine

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2021 Creative Partnerships Awards

Creative Partnerships Australia announce the seven remarkable 2021 Creative Partnerships Awards recipients who generously provide support to enhance arts and culture across Australia.