Latest Reviews
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Any play by Samuel Beckett is likely to provoke fruitful thought, discussion and controversy amongst audiences and critics alike.
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The novel had seeped into the Australian literary psyche, becoming one of our foundational colonial myths, long before Peter Weir made his iconic film version, many believing it to be a true story.
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Whether you’re a lover of theatrical thrillers or have never seen one before, this production of the best-selling mystery novel of all time has something to pique your interest.
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Neil Armfield returns to Belvoir to direct an excellent ensemble of four performers who play two characters each, one from the present and one from the past, those from Then informing the those of Now.
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Richard Carroll’s production of The Pirates of Penzance is the very model of a post-modern major musical.
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Biological effects and radiation run in ironic paradigm throughout Alana Valentine’s new play, Nucleus, a fusion of public debate and private intercourse.
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Our Monster’s Name is Jerry aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by technical issues.
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Bullying, gossip, slander, and cancel culture are all startlingly identifiable, showing public shaming has a rich and lengthy history even before cancel culture entered the social discourse.