Latest Reviews
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Richard Carroll’s production of The Pirates of Penzance is the very model of a post-modern major musical.
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Biological effects and radiation run in ironic paradigm throughout Alana Valentine’s new play, Nucleus, a fusion of public debate and private intercourse.
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Our Monster’s Name is Jerry aims to tell a “queer gothic horror” tale, set in a well-heeled part of Australian outer suburbia. Unfortunately, its storytelling was often compromised by technical issues.
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Bullying, gossip, slander, and cancel culture are all startlingly identifiable, showing public shaming has a rich and lengthy history even before cancel culture entered the social discourse.
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There’s plenty of silent, restless and melancholic behaviour happening on the stage as the audience files into the venue.
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The play Is a fictional, but insightful demonstration of some of the vicissitudes and machinations that go on behind the façade of party politicking and the actual development of legislation that governs our daily lives.
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There’s something different about seeing Shakespeare performed outside under the stars.
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Skeletons – winner of the 2024 Fringe World Overall Comedy Award – is back for 2025!