There’s not a moment of filler, as every song is carefully placed to support the story and its characters.
The Pinter patter of briny beat and shiny feat of sheer theatrical flair is in full glorious swing in Mark Kilmurry’s double bill.
Progress at a pace, rampant and unbridled, seems to be Public Enemy God Number One in S. Shakthidharan’s latest play.
This year's Festival has set a new standard in refinement, both of performance and of structured programming.