Opening night’s standing ovation was well deserved, not just for the hundred minutes of slick skit satire and cabaret, but for the quarter century of quality The Wharf Revue has delivered consistently with dash, splash and elan.
Nikki Shiels is sensational as Sunday, depicting a very sexual woman, seductive, flirtatious, and possessive.
Alex Raineri brings formidable virtuosity to bear on his program 'Fairy Tales', which consists of five recently composed Australian piano pieces.
McGuffin Park is a playful, joyous show, foaming like a wave beneath our knees, given tender breeze by a quintet of players that deliver highly energetic ease.
The emotional conflicts are well defined, the shifts and changes deftly controlled, however the pace of this production is glacial. Yet it elevates what could be termed a museum piece into a genuine theatrical experience.
Culturally specific yet universal, set in the past but still so pertinent, Yentl is the story of a girl who laps up facts and theories like a thirsty horse at a stream
Four hot male acrobats comically playing Greek gods, full of sexual innuendo and wacky, sacrilegious scenarios.