Latest Reviews
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Like many beloved animations of the 1990s, these cherished childhood movies make an easy leap to the musical stage.
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Jack Kearney’s kitchen sinker, Born on a Thursday takes three hours to traverse ten months, a calendar stroll through 1999. Did a year really unfurl at such glacial pace back then?
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A Christmas Carol retains the essence of a ghost story, yet the supernatural elements are supported by some nifty technological innovations.
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Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes every layer of process and presentation.
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Vivacious and virtuosic, Pinchgut Opera’s intimate rendition is rooted deeply in research and the practice of historical performance, yet unmistakably Sydney – unmistakably Australian – in its swift, vibrant, and exhilarating delivery.
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Croft and Spear revealed songwriting with intention, meaning, and an ethereal undercurrent.
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The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.
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For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.