Latest Reviews
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At What Cost? is a complex piece of work, full of righteous anger, full of family love.
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There's a lot of shouting, there's a lot of baiting and insulting, there's a lot of teasing, provocation and vitriol, and a good measure of humour.
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Having seen Watch This at work before, the calibre of performer and performance in this production was absolutely as expected and so incredibly high.
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In an interesting departure from the Melbourne Theatre Company’s usual fare of big budget, razzle dazzle productions, Touching the Void is a refreshing change for the company.
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Wudjang: Not the Past is, among other things, a powerful wake-up call to non-indigenous Australians like me. After almost 250 years we shouldn’t need it, but we do.
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Italian baroque with Circa is an inventive attempt to relate the unrelateable, by two Australian ensembles at the height of their powers.
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There are so many amazing moments in this show, I will try not to spoil the surprise by describing too many of the twists and turns in characterization, storytelling and absolutely amazing bubble work.
Most read reviews
While the musical is jam packed with the finest and most fabulous 90s hits and the cast are phenomenal, the content simply does not stand the test of time.
Bangarra Dance Theatre's 10th anniversary tour of Terrain explores the timeless wonder of Kati Thanda (Lake Eyre) Australia’s largest salt lake and a landscape from where human beings draw life and express meaning to that life.
Sexual Misconduct of the Middle Classes is an enthralling and entertaining exploration of power, truth and desire, of afterglow and after burn.
A razzmatazz extravaganza of glitz, gloss, corsets, bustiers, stockings and frocks, Moulin Rouge exceeds even the excessiveness of the Baz Luhrmann film that this stage fantasia springs from.
Kunstkamer runs the gamut of intimacy to mass frenzy with unrelenting commitment.