Carriageworks is a fantastic venue, and like many others I have often been inspired by the unique foyer spaces on previous visits. To see the whole place come alive for Night Time is truly invigorating.
Although sometimes plays with fractured or otherwise de-emphasised plotting can be thoroughly entertaining, I found the narrative here to be highly unengaging.
Michael Craig, ably assisted, as it were, by a charming performance from Catherine McGraffin, goes out with a bang in this deservedly lauded American play
Tender is an emotional revelation, wherein the narrative is, ultimately, incidental to its thorough and gentle expositions of the nature, and character, of love, loss, grief, memory, resilience & relationships
Seasoned entertainer Issi Dye has been doing his one-man tribute to the legendary Al Jolson since 1999, and in the 600-plus performances he has made on tour he has evidently refined his act to the point where it is so convincing that seeing him out of character can be quite a jolt.
At 73 years old, Humphries is in remarkably good form. While Sir Les and Sandy Stone are still fresh, Dame Edna lacks some of the satirical bite and depth of character that made her a megastar.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.