A woman and two men enter the space. She strips down to her underwear, and the men begin to move around her, adding and subtracting things from her mannequin-like body.
A Mistress, Black Magic, Adultery and a King with an anal fistula. This music theatre production appears to have it all, but the sad truth though is that despite some genuinely decent performances from the ensemble the piece as a whole was lacking.
There are scenes where the dynamic relationship between the actors is like watching the ABC’s Australian Stories, sadly this is not realised throughout the entire piece.
A lavish feast for the eyes, ears and most definitely the funnybone, the deceptively simple yet thoroughly rich The Game of Love and Chance comes highly recommended.
Loosely telling the story of prince Pippin, the son of Charlemagne, and his somewhat picaresque journey through life, Stephen Schwartz’s 1972 Pippin is not your conventional musical.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.