City for Sale is a slick modern comedy based not so much on an Orwellian ‘Brave New World’ as a Swifter version of a past one, back to the future of feudalism.
Stephen MacDonald’s play is comprised of predominantly, and richly, imagined details of a legendary meeting of minds and souls: those of English poets, Siegfried Sassoon & Wilfred Owen.
A play about life, love and politics, Hannie Rayson’s Life After George is a tale of the intertwined stories of some intriguing but ultimately flawed characters.
It’s the tail end of the roaring 20s; machines are coming of age, romance is dying (or is it?), but cigars are still hand-rolled with love and dedication in a small family factory in Tampa, Florida.
Not Nicole Kidman on anatomic steroids, but the love child of Ethel Merman and Ernest Borgnine, diva extraordinare Varla Jean Merman brassily boasts a treasure chest of cabaret mayhem.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.