Although not groundbreaking theatre, The 25th Annual Putnam County Spelling Bee is an excellent production of a howlingly funny musical, and a sure thing for a bushel of B-E-L-L-Y L-A-U-G-H-S.
Abalone dreams of winning the local eisteddfod with all the associated glory, while his sister Gerture slowly slips away into her own private world where she works as a teacher.
Who could fail to be transformed by thought leader, Jeremy Boutsakis? Of course, the thoughts he'll lead you to, via the garden path, are simultaneously terrifying and hilarious.
While every effort has been made, no doubt, to fully explore characters' lives, the chain of relationships, separated by a mere six degrees, seems somewhat inconclusive and unsatisfying.
Aside from one too many references to cricket, this is a very well-observed and well-written piece, or, rather, pieces; comprising three vignettes, with the three cast handling three roles apiece.
Red Light Winter deals with the seriously dysfunctional romances of a small group of thirtysomethings, with an emphasis on sex and emotional inadequacy.
Sydney productions of The Taming of the Shrew have been few and far between in recent years. Although a highly entertaining yarn, the reason for its scarcity is doubtlessly the play’s problematic gender politics.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.