This Lear is not huge in any way. Heavily trimmed, it remains focused on core themes. To those who know the work, it is honest if a little over-simplified.
Using a science-fiction premise, this “grey comedy” takes place on an isolated archive facility far removed from Earth, in the equally distant year 16022.
Benedict Andrews’ high energy production, for Company B Belvoir, makes this brilliant theatre classic, about a couple struggling to find meaning in their empty lives, feel like a brand new contemporary play.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.