For Trevorrow and Connelli, pushing the boundaries of conventional sexual identity is a core theme. What’s fascinating is how differently they approach the task.
The story of the prodigal’s return is of biblical origin but, in the hands of this accomplished writer, Kate Mulvany, it presents a very controlled and confronting dramatic plot.
Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
Young, O’Neill, Ionis, and indeed every member of the orchestra understood how to let this music crack open the psyche, yet hold us there in ways that can transfigure our souls.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.