This production of Don’s Party is superb, and regardless of your attitude towards the merits of resurrecting modern classics, you will not see a better show anytime soon.
‘Bone’ concerns three individuals separated in time and space but each occupying what might otherwise be the last day of their lives as hitherto realised.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.