The interest in a writer who is essentially a commentator on the moving face of social mores is likely to ebb before the tide of more current and seemingly more relevant new dramatists.
The play opens with a deafening crash as the unimaginable is realised and a peace loving, democratic, capitalistically inclined city is reduced to nuclear waste.
Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
Young, O’Neill, Ionis, and indeed every member of the orchestra understood how to let this music crack open the psyche, yet hold us there in ways that can transfigure our souls.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.