This delightful pair makes for a rewarding change to the consistent politically and socially topical comment that seems standard fare in today’s comedy delivered to shock and perhaps incense
This is the debut play from Chaser collaborator Chris Taylor; and the level of sophistication makes you wonder would it be produced by STC if it weren’t for his notoriety
This play is about sex used as a weapon whether active offensive or passive. It makes for great theatre because we still find it hard to face the issues that come with what must be the most complex emotional trigger in our battery of hormones.
Beyond the array of prodigious technical & artistic skills, unmistakably in (abundant) evidence, lies a palpable humility, and understatement, which is refreshing in these times of celebrity egocentrism.
Roger Gimblett's evocative production of Forty Years On, will slingshot to mind, memories of tuck shop milk bottle confectionery, stoggy custard school dinners and assembly hymns sung out of tune
Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
Young, O’Neill, Ionis, and indeed every member of the orchestra understood how to let this music crack open the psyche, yet hold us there in ways that can transfigure our souls.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.