True Stories is held together by a potent sense of energy, emotion and spirit which is communicated in not only the stories being told but in the fiercely passionate performances of the ensemble group.
With every new production, Legs on the Wall reinvents itself. Every work in its repertoire is distinctly different and original, consistently exploring the physical theatre form
For Trevorrow and Connelli, pushing the boundaries of conventional sexual identity is a core theme. What’s fascinating is how differently they approach the task.
The story of the prodigal’s return is of biblical origin but, in the hands of this accomplished writer, Kate Mulvany, it presents a very controlled and confronting dramatic plot.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.