Long, strong legs, sagging breasts, an eruption of what should be greying hair, diamante tears and a set of eyes that have seen the world. Kiki is one formidable, volatile and gracious hostess
Blue Print is a new work by director/performer Deborah Pollard – an “artistic response” to the 2003 Canberra bush fires that burned her family home to the ground.
Once again, New Theatre tackles the classics of political theatre with great conviction. Traitors is a powerful, unsettling play and, perhaps, a timely one.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.