Carriageworks is a fantastic venue, and like many others I have often been inspired by the unique foyer spaces on previous visits. To see the whole place come alive for Night Time is truly invigorating.
Although sometimes plays with fractured or otherwise de-emphasised plotting can be thoroughly entertaining, I found the narrative here to be highly unengaging.
Michael Craig, ably assisted, as it were, by a charming performance from Catherine McGraffin, goes out with a bang in this deservedly lauded American play
Tender is an emotional revelation, wherein the narrative is, ultimately, incidental to its thorough and gentle expositions of the nature, and character, of love, loss, grief, memory, resilience & relationships
Seasoned entertainer Issi Dye has been doing his one-man tribute to the legendary Al Jolson since 1999, and in the 600-plus performances he has made on tour he has evidently refined his act to the point where it is so convincing that seeing him out of character can be quite a jolt.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.