This delightful pair makes for a rewarding change to the consistent politically and socially topical comment that seems standard fare in today’s comedy delivered to shock and perhaps incense
This is the debut play from Chaser collaborator Chris Taylor; and the level of sophistication makes you wonder would it be produced by STC if it weren’t for his notoriety
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.