For Trevorrow and Connelli, pushing the boundaries of conventional sexual identity is a core theme. What’s fascinating is how differently they approach the task.
The story of the prodigal’s return is of biblical origin but, in the hands of this accomplished writer, Kate Mulvany, it presents a very controlled and confronting dramatic plot.
This delightful pair makes for a rewarding change to the consistent politically and socially topical comment that seems standard fare in today’s comedy delivered to shock and perhaps incense
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.