This is the debut play from Chaser collaborator Chris Taylor; and the level of sophistication makes you wonder would it be produced by STC if it weren’t for his notoriety
This play is about sex used as a weapon whether active offensive or passive. It makes for great theatre because we still find it hard to face the issues that come with what must be the most complex emotional trigger in our battery of hormones.
Beyond the array of prodigious technical & artistic skills, unmistakably in (abundant) evidence, lies a palpable humility, and understatement, which is refreshing in these times of celebrity egocentrism.
Roger Gimblett's evocative production of Forty Years On, will slingshot to mind, memories of tuck shop milk bottle confectionery, stoggy custard school dinners and assembly hymns sung out of tune
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.