This solo act does the impossible: he acts out Star Wars (A New Hope), The Empire Strikes Back and Return of the Jedi in the space of one hour. He plays every part, produces all the action, and left a very happy audience when he was done.
Daniel Keene’s The Nightwatchman is a contemplative, elegiac piece that explores the emotional reverberations between a father and his children as he prepares to move out of the family home.
Berlin-born Sydney-based Martin del Amo explores the notion of the unknown with both text and movement in his new work ‘Never Been This Far Away From Home.’
This new production of Patrick White’s‘charade of suburbia’The Season At Sarsaparilla, is all one could have hoped it could be: a triumph for
director Benedict Andrews and for the STC’s Actors’ Company.
“How do you want your eggs in the morning; scrambled or fertilized?” For those of us who have never experienced the weird and, well… weird world of Speed Dating, this play confirms our worst fears: Olivia
Ansell’s hilarious short play seems more like a cautionary tale than an endorsement.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.