Sydney Reviews

Details: Selma Nadarajah; 24 March 2007

Bandaged in white crepe, performer, Sara Black, twists her limbs with the precision of a surgeon’s knife to the hypnotic beeping of the industrial sonic landscape.

Details: Jack Teiwes; 22 March 2007

This solo act does the impossible: he acts out Star Wars (A New Hope), The Empire Strikes Back and Return of the Jedi in the space of one hour. He plays every part, produces all the action, and left a very happy audience when he was done.

Details: Tessa Needham; 20 March 2007

Yang’s delivery is impeccably timed and measured, bordering on stoic, yet it perfectly complements the images.

Details: Brett Casben; 17 March 2007

Cullen is something of a rarity in Australian theatre, a consummate performer who has stood by his craft without compromise.

Details: Rebecca Whitton; 16 March 2007

Daniel Keene’s The Nightwatchman is a contemplative, elegiac piece that explores the emotional reverberations between a father and his children as he prepares to move out of the family home.

Details: Jack Teiwes; 15 March 2007

Bell Shakespeare’s latest Macbeth is quality theatre, but it is something of a disappointment given the luminaries involved.

Details: Sarah Doyle; 12 March 2007

Berlin-born Sydney-based Martin del Amo explores the notion of the unknown with both text and movement in his new work ‘Never Been This Far Away From Home.’

Details: James Waites; 09 March 2007

This new production of Patrick White’s ‘charade of suburbia’ The Season At Sarsaparilla, is all one could have hoped it could be: a triumph for director Benedict Andrews and for the STC’s Actors’ Company.

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