Daniel Keene’s The Nightwatchman is a contemplative, elegiac piece that explores the emotional reverberations between a father and his children as he prepares to move out of the family home.
Berlin-born Sydney-based Martin del Amo explores the notion of the unknown with both text and movement in his new work ‘Never Been This Far Away From Home.’
This new production of Patrick White’s‘charade of suburbia’The Season At Sarsaparilla, is all one could have hoped it could be: a triumph for
director Benedict Andrews and for the STC’s Actors’ Company.
“How do you want your eggs in the morning; scrambled or fertilized?” For those of us who have never experienced the weird and, well… weird world of Speed Dating, this play confirms our worst fears: Olivia
Ansell’s hilarious short play seems more like a cautionary tale than an endorsement.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.