
To have Sharon Millerchip, Geraldine Turner, Judi Connelli, Anne Wood, Rachel Beck and Rhonda Burchmore all belting out One, from A Chorus Line, and Broadway Baby from Follies, is a musical theatre devoteeās idea of heaven


Red Ryder is well known for their professional and often award-winning productions. Dying City represents a step away from their usual direction to a dark and complex two-hander, set in post 9/11 New York.

Why stage an English play steeped in middle-class stereotypes of class and gender at a contemporary Australian Pride festival? I have no idea.

As you sink into the soft seat at the concert hall, those deft-handed WASO musicians wrap you up in a musical experience guaranteed to make the working week all but disappear.