
This David Mamet play, written in 1988, is a satire about the morals and values of Tinseltown and the sacrifice of pure art for commercialism

Alan Becher has had some big hits over the years. This, I’m afraid, for me, is not one of them.

The Return is tight and edgy, with some of the best dialogue you’re ever likely to hear.


Deliciously naughty, is not what we got. Hackneyed one-liners and underdeveloped characters we got, in spades. Deliciously naughty? No.

