His one hour program contained no fewer than 20 pieces, played without a break, mainly on piano but also on harpsichord and electric keyboard.
It might have been inspired by Shakespeare, but don’t expect high art here. However, do expect to be thoroughly entertained.
It is a journey of a young woman with a thirst for knowledge, and of a society that is desperate to quash that desire.
This wordless play has the pace of a symphonic adagio, starting in what might be late afternoon, traversing the night with its nightmares, and ending the next morning.
This show is delightful, touching, and expertly put together, and is a testament to the insight and skill of all involved.
In the aftermath of the Voice debacle, it is more than ever significant that this year’s Adelaide Festival has begun with two contemporary Indigenous ceremonies.