Latest Reviews
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This wordless play has the pace of a symphonic adagio, starting in what might be late afternoon, traversing the night with its nightmares, and ending the next morning.
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This show is delightful, touching, and expertly put together, and is a testament to the insight and skill of all involved.
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In the aftermath of the Voice debacle, it is more than ever significant that this year’s Adelaide Festival has begun with two contemporary Indigenous ceremonies.
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The moon was large and low in the sky as we made our way out of the gardens. Shakespeare would have loved this, I thought.
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This show, devised by Robert Lepage in Canada fifteen years ago, forms the operatic centrepiece of the 2024 Adelaide Festival.
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Rob Drummond’s play, Grain in the Blood, is rooted in the melodrama of sacrifice.
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If you went looking for a show that only glittered then you are out of luck because Briefs always cuts deeper than that.
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When RENT opened in 1996 it tapped into a unique moment in the cultural zeitgeist. RENT was revolutionary in the way it approached the AIDS epidemic, addiction, poverty, sexuality and gender.