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As Gadsby navigates this new world of stardom, wealth and everything else that comes with it, they open up about panic attacks, feminism and fear of being cancelled.
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This production of Grease the Musical was playful, powerful and polished and it gave me a whole new appreciation for the story and the characters.
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Zoe Coombs Marr has always included a lot of personal material in her work, but her new show, Every Single Thing In My Whole Entire Life, takes autobiographical content to the next level.
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Luzia is a jumble of imagery all wrapped up in spectacular environments that include a vertical waterfall raining down like a tapestry on a loom and a plunge pool for an aerialist to thrash in and out of.
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Like rain she is beautiful, playful and kind, but don't splash in the puddles without watching the sky. Like a storm she’ll suddenly pour down fierce, unapologetic and vulgar but deliciously so.
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This kooky show is intergenerational mayhem at its finest, with cast members representing millennial, Gen Zs, Baby Boomers and everything in between.
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It takes about 2.08 minutes to realise that not only is Gillian Cosgriff blessed with great timing and a quirky mind, but she’s also a highly competent musician with an excellent voice.
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Tom Gleeson knows his considerable strengths and isn’t shy about reminding you, but is smart enough to turn his shortcomings into a jibe at the audience and use that as material, too.