Latest Reviews
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This multimedia immersive experience, with its constantly changing visuals and sounds aims to build connections and a narrative but misses the mark almost every time.
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What transcends however, is a confused production that is one half Shakespeare, one half soap-opera that barely manages to scratch the surface of the original text.
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The crushing barbs come thick and fast between these two from the moment they appear in in the box seats above.
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It’s both an entertaining and moving story that aptly depicts the passion and joy Allen brought to the stages he performed on.
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It’s hard not to gush like a punctured artery over the awesome artistry on show in Dracula, the latest, and arguably greatest, production in the Kip Williams’ cine-theatre universe.
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There are so many poignant scenes, so many stories along the way, so many loves and losses in Tina's life, to bring her to the musical genius and legend she became.
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With its tent compound of concession stands, carnival games and intimate seating area, it is old-school circus with old-school aesthetics in a litany of different offerings, almost like a variety show.
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The play’s title refers to the dangers of what can happen to democracy: first, you count heads, and if that doesn’t work, you must crack them.