Ninety years on this ninety minute play of stabbing knives and scolded wives, of runaway bride and wounded male pride has an all too familiar resonance.
The speciality acts are first rate and the quartet of dancers intermingled through the acts are also top quality.
This multimedia immersive experience, with its constantly changing visuals and sounds aims to build connections and a narrative but misses the mark almost every time.
What transcends however, is a confused production that is one half Shakespeare, one half soap-opera that barely manages to scratch the surface of the original text.
The crushing barbs come thick and fast between these two from the moment they appear in in the box seats above.