Latest Reviews
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Loosely based on the romantic tragedy of Romeo and Juliet, the combined genius of Leonard Bernstein, Jerome Robbins, Stephen Sondheim and Arthur Laurents created one of the greatest and most enduring musicals of all time.
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Christopher Wheeldon’s Alice’s Adventures in Wonderland is one of those ballets that just keeps on giving. This is its third Melbourne outing from The Australian Ballet since 2017 and audiences still can’t get enough of its visual delights.
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The great divide in our current society is Williamson's target in The Great Divide, and he scores a bullseye.
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Based on John Buchan’s novel that was adapted into Alfred Hitchcock’s 1935 spy film of the same name, The 39 Steps is edge-of-your-seat-slapstick-fun.
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In Emily Sheehan’s Frame Narrative, the act and the art of creation is examined, from conception to manipulation.
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So was the weekend a success? No, said Richard Tognetti, it was an abject failure – instead of Nothing we had an overabundance of Somethings.
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Extraordinary in scale and spectacle, Wicked is classic big budget musical gorgeousness, but froth and bubble aside, it’s also laced with depth in its narrative.
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Brecht’s play enters the 1920s world of cabaret, an entry thoroughly cemented by Kurt Weill’s biting, acerbic score.