Like rain she is beautiful, playful and kind, but don't splash in the puddles without watching the sky. Like a storm she’ll suddenly pour down fierce, unapologetic and vulgar but deliciously so.
This kooky show is intergenerational mayhem at its finest, with cast members representing millennial, Gen Zs, Baby Boomers and everything in between.
It takes about 2.08 minutes to realise that not only is Gillian Cosgriff blessed with great timing and a quirky mind, but she’s also a highly competent musician with an excellent voice.
Tom Gleeson knows his considerable strengths and isn’t shy about reminding you, but is smart enough to turn his shortcomings into a jibe at the audience and use that as material, too.
Loosely based on the romantic tragedy of Romeo and Juliet, the combined genius of Leonard Bernstein, Jerome Robbins, Stephen Sondheim and Arthur Laurents created one of the greatest and most enduring musicals of all time.
Christopher Wheeldon’s Alice’s Adventures in Wonderland is one of those ballets that just keeps on giving. This is its third Melbourne outing from The Australian Ballet since 2017 and audiences still can’t get enough of its visual delights.
The great divide in our current society is Williamson's target in The Great Divide, and he scores a bullseye.