“In a world built for one” Bambert lives alone in his attic – immersed in a world with characters from his stories.
Sometimes contentiously counted by certain scholars as among Shakespeare’s so-called “problem plays”, The Merchant of Venice is indeed one of the most challenging works in the Bard’s canon for modern audiences.
With a title like that, you would expect exactly what the audience saw, heard and so obviously enjoyed from the six performers in this lively, humorous and beautiful show.
When was the last time you let yourself really dream? That was what Queensland Ballet invited audiences to do last night with an energetic and lively telling of Peter Pan at QPAC’s Playhouse.
A dwarf review for The Wharf Revue just wont do, but without succumbing to spoilers, a short, sharp review of this short, sharp REVUE should give an unabashed thumbs up.
This is shock-and-awe theatre. Switzerland is an exhilarating production, led by a strong performance by Gore that flourishes through its clean narrative and taut direction.
When a trio of successful and well respected female Melbourne musicians team up for a one off gig to “deconstruct pop music”, it’s hard not to be intrigued, especially when it’s set within the hushed and carved confines of the Elisabeth Murdoch hall.