Latest Reviews
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How refreshing to see a new Australian musical and also to be able to acknowledge its success on so many levels. This is a really strong production and its presentation was terrific.
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In existence since the early 80’s, MWT declares itself proudly unfunded, relying instead on its supporters, with its lack of government funding freeing it up to do their thing.
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A bit of history and a lot of fun from the Pop-up Globe team. Take some kids and introduce them to Shakespeare and the Globe in the most fun way.
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Putting the ink into think, Howard Barker’s No End of Blame is as powerful and poignant, perhaps even more so, today, as it was when written, nearly forty years ago.
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This is an excellent production of a show which is likely to entertain, but may not quite have the punch or resonance which it perhaps packed upon its 1996 debut.
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There are few topics more challenging than death, and the inevitable journey toward this state of non-being. The journey, one might say, is fraught with difficulty as we see our loved ones deteriorate, diminish, dement and lose their way; something we all fear; after all, what will happen to us come the evolution?
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It might sound cliched to say this award-winning New York performance artist creates a sense of epic communion, but you’d be hard pushed to find someone in the world who does it better.
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Eugène Ionesco’s play Rhinoceros is currently being staged by heartBeast Theatre, the Brisbane company choosing a fittingly absurd play to perform for an increasingly absurd world.