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How this came to be a work of dance performance is one of those rare miracles of creativity that you close your eyes and give thanks to the God you don’t believe in.
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Toruk itself is quite an astonishing show. Set on Avatar’s alien world of Pandora before contact with the human race as portrayed in the film, the whole cast of this production only ever appears in-character, as members of the blue-skinned, faintly feline race of humanoid aliens, the Na’vi.
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How refreshing to see a new Australian musical and also to be able to acknowledge its success on so many levels. This is a really strong production and its presentation was terrific.
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In existence since the early 80’s, MWT declares itself proudly unfunded, relying instead on its supporters, with its lack of government funding freeing it up to do their thing.
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A bit of history and a lot of fun from the Pop-up Globe team. Take some kids and introduce them to Shakespeare and the Globe in the most fun way.
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Putting the ink into think, Howard Barker’s No End of Blame is as powerful and poignant, perhaps even more so, today, as it was when written, nearly forty years ago.
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This is an excellent production of a show which is likely to entertain, but may not quite have the punch or resonance which it perhaps packed upon its 1996 debut.
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There are few topics more challenging than death, and the inevitable journey toward this state of non-being. The journey, one might say, is fraught with difficulty as we see our loved ones deteriorate, diminish, dement and lose their way; something we all fear; after all, what will happen to us come the evolution?