It was an ingenious idea of the director, Stephen Barlow, and the conductor, Nicholas Cleobury, to combine in one program these two pieces, one by Debussy and the other by his contemporary Ravel.

The minimalist setting and strength of the script combined with the talent of the actor’s keeps the audience on the edge of their seats without ever pushing for thrills.

In 1992, The Bodyguard was the second-highest grossing film of the year, behind Disney’s smash hit animated feature, Aladdin. Twenty-five years later, both films have been turned into stage productions and both of those, by sheer coincidence, are currently playing in Melbourne.

Fans of Ms Robinson will not be disappointed, and if your favorite divas are those strong, yet fragile pioneers with unique voices that pre-date the Beyonces or Gagas – then this is an evening for you.

Jacob Rajan delivers an utterly sublime performance, portraying all seventeen characters in the Guru of Chai – an award winning and original work from decorated New Zealand theatre company, Indian Ink.

Five years ago three young women danced a punk prayer in a Moscow cathedral dressed in brightly coloured frocks and balaclavas, a brilliant juxtaposition of femininity and menace.

There have been quite a few plays in recent years dealing either tangentially or primarily with issues of ageing parents’ descent into dementia and death, but none have been quite so devastatingly focused as The Father on the experience of mental decline itself, and the heartbreaking effect it has on sufferer and their families alike.

One of the longer-lasting of Australia’s regional festivals, the annual weekend of chamber music concerts offered by the Southern Cross Soloists, along with many other marvellous musicians, has been a focal point of classical music performance in the Northern Rivers since its inception in 2001.