Latest Reviews
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A bit of history and a lot of fun from the Pop-up Globe team. Take some kids and introduce them to Shakespeare and the Globe in the most fun way.
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Putting the ink into think, Howard Barker’s No End of Blame is as powerful and poignant, perhaps even more so, today, as it was when written, nearly forty years ago.
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This is an excellent production of a show which is likely to entertain, but may not quite have the punch or resonance which it perhaps packed upon its 1996 debut.
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There are few topics more challenging than death, and the inevitable journey toward this state of non-being. The journey, one might say, is fraught with difficulty as we see our loved ones deteriorate, diminish, dement and lose their way; something we all fear; after all, what will happen to us come the evolution?
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It might sound cliched to say this award-winning New York performance artist creates a sense of epic communion, but you’d be hard pushed to find someone in the world who does it better.
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Eugène Ionesco’s play Rhinoceros is currently being staged by heartBeast Theatre, the Brisbane company choosing a fittingly absurd play to perform for an increasingly absurd world.
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Amadeus Live is an engaging performance, which perfectly combines history, entertainment, and the live music standard that the Sydney Symphony Orchestra is renowned for.
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This is not a true story. We are told so very explicitly in the prologue, as the actor in this one-man play, Ben Gerrard, breaks the fourth wall right from the outset, one which will not ever really be bricked back up, even once he gets fully into character for the fabulous solo performance which is to follow.