Latest Reviews
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It might sound cliched to say this award-winning New York performance artist creates a sense of epic communion, but you’d be hard pushed to find someone in the world who does it better.
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Eugène Ionesco’s play Rhinoceros is currently being staged by heartBeast Theatre, the Brisbane company choosing a fittingly absurd play to perform for an increasingly absurd world.
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Amadeus Live is an engaging performance, which perfectly combines history, entertainment, and the live music standard that the Sydney Symphony Orchestra is renowned for.
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This is not a true story. We are told so very explicitly in the prologue, as the actor in this one-man play, Ben Gerrard, breaks the fourth wall right from the outset, one which will not ever really be bricked back up, even once he gets fully into character for the fabulous solo performance which is to follow.
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The audience gasped as Chiciquita and Fernando mounted the stage. He resplendent in white flares and a silvery sequined top, she in a “barely there” red hot sequinned number, both platinum bewigged.
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Continuing their exceptional season of productions, StageArt closes 2017 with perhaps their most ambitious project yet. Memphis, a jukebox musical with an upbeat score and a timely message to Australia.
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If one were to summaries this production in a single word, that word might very well be “uncertainty”…
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Don’t miss this, it’s as satisfyingly dramatic and spectacular a production of Othello as you’re likely to see.