Latest Reviews
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Penned by the multi-talented Eddie Perfect, Vivid White, explores the modern day Melbourne real estate market, with erudition and devastatingly witty and warped musical numbers.
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Based on the wildly successful 2009 film Avatar, TORUK transports us to the mythical Pandora, a land inhabited by the blue-hued Na’vi people.
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Six songsters – three male, three female – consort in concert to present Christmas carolling as a medieval nativity narrative in The Song Company’s swansong for this year, Lully Lulla.
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Redshift is the 2017 offering from Chunky Move's Next Move program, a program that for 10 years now has been commissioning and producing the work of the next generation of dance makers.
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Cathartic is Sydneysider Catherine Alcorn’s newest show, and that in itself is something of a miracle as she informs us that it is a mere 13 short weeks since she delivered her first child.
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Nick Hornby’s novel, High Fidelity, first morphed into a Stephen Frears film, then into a Broadway musical, ten years after its publication. It’s taken a further decade to grace the Hayes Theatre with a rollicking, rocking boy meets girl, boy loses girl, boy reflects on his previous break-ups, and sings and dances us to a happy ending.
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It was a joyful, demanding, emotionally churning play that doesn’t go away at its end but leaves so much to think about afterwards.
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The Adelaide Repertory Theatre can be relied on at all times and when it promises “an evening of high drama and musical interludes” it means high jinks are on the way - and so it proved to be.