
Joanna Murray-Smith’s two-hander, as rich in ideas of the heart and mind as any play from her prolific career, is beautifully established.


There was a whole lot of pink and whole lot of love on display at the opening night of Accolade Productions’ new piece of musical theatre The Pink Twins.

The Grimstones – Hatched is enchanting; enchanting as a dark fairytale; enchanting for its mesmerising AUSLAN narration and enchanting in the rich yet simple staging.

Kids these days, with their texting and Tweeting and Facebooking... Too busy on that interweb to discover the finer things in life like opera. But what if you combined the two? A contemporary opera for the iGeneration?

Don’t panic, Cats fans. I’m not about to scratch out the amber eyes of one of the most wildly popular stage productions of this or any other century (and don’t for a moment think that’s going to be the last feline pun in this review).

It is 1967, in small-town Queensland, the sort of quaint country backwater scriptwriters use to justify oddballs and loveable simpletons.