
Intimacy is the key word here, as not only is the subject matter very personal, but sitting so close the dancers mean we hear their every breath and see the movement and grace of each muscle.

Dance darling Graeme Murphy is back with The Australian Ballet’s lavish new production The Silver Rose.

With a mix of the brilliant and the perhaps not so brilliant, Hamlet is a relatively good start to La Boite’s year.

I’ll say this about Le Grand Cirque: I’ve never been more afraid in a theatre.

He is a charmingly gregarious host, gracious and grateful of his supporting players and his audience. Alexander knows we came for our little slice of Seinfeld and he’s happy to oblige, revelling even in remembrance of his big TV hit.

Eurobeat is less a piece of musical theatre, more an immersive life experience. Resistance is entirely futile.