Brisbane Reviews

Details: Erin White; 01 April 2007

Ibsen’s theatre revolution changed theatre to something that was art and not just entertainment. QTC’s production of this Ibsen classic, was not even entertaining.

Details: Erin White; 28 March 2007

C!RCA’s The Space Between explores not just the apparent physical bodies of the performers, but the nothingness and everythingness of what exists in the space between the performers, each other and the theatre-in-the-round audience.

Details: Bree Hadley; 17 March 2007

The mundane reality of inner city Brisbane bleeds through into a world of greater mysteries, malign spirits, and the surveillance of the Moogi Man

Details: Erin White; 16 March 2007

A play that touches on issues of prejudice, deceit and ignorance, it does so with flair, but do not the title fool you. This is not a song-and-dance musical style show.

Details: Erin White; 03 March 2007

No ifs, buts or maybes, this play is vainly and unashamedly Brisbane. It is pure self-indulgence, and it feels good.

Details: Erin White; 02 March 2007

It seems no-one loves a conspiracy more than Errol Bray. His long Australian theatrical career has evidently led him to a place of cheerful cynicism about the state of our world.

Details: Bree Hadley; 22 February 2007

Absence(s) is a work that moves between worlds – physically, spatially and symbolically. We are taken, group by group, from the street outside the theatre to another space.

Details: Erin White; 19 February 2007

Private Fears in Public Places is a comic tale of the overlapping lives of six people living in one city. Written by Alan Ayckbourn and directed by Michael Gow, the play opens the Queensland Theatre Company's 2007 season, leaving audiences sated but not enthralled by the upcoming theatrical year.

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