It’s Desperate Housewives by way of Tim Burton and Lemony Snicket in this little community, where women and their daughters dress in matching pastels and popularity is a never-ending cause for anxiety.
In Zen Zen Zo’s production of Dracula, the clash between sexuality and religion, between modernity and tradition, between change and uniformity, is explored and explodes into a deliciously innovative piece of performance.
Expanding what had previously been a ‘work-in-progress’, the hour-long performance is both simple and complex and - above all - completely mesmerising.
This semi-absurd, quintessentially Australian piece is multicultural, multilateral and multifarious – resulting in a performance that has a little bit of everything, but not a great deal of that special something.
Brian Lucas takes us on a journey of make-believe myth and political
propaganda, in this enrapturing encore season of his solo dance/theatre
piece, Underbelly.
The script is fast-paced and covers as much ground as possible in just under two hours, without neglecting to include any of the major characters and incidents
Once again we are treated to the door knocking, knee slapping, pearl clutching hilarity that has taken the world by storm and remained a popular success amongst the more devilish of us theatre patrons the world over.
Once again we are treated to the door knocking, knee slapping, pearl clutching hilarity that has taken the world by storm and remained a popular success amongst the more devilish of us theatre patrons the world over.