Brisbane Reviews
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- Cassandra Ramsay
The Rabble have wrenched apart this classic text and created a new work that highlights the fractured psyche of Orlando, the malleability of gender and the precarious volatility of identity.
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- Cassandra Ramsay
The most produced play in the world (outside of Shakespeare), Henrik Ibsen’s A Doll’s House has been given new life for the 2014 Brisbane Festival in a new version by Lally Katz, directed by Steven Mitchell Wright.
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- Lauren Sherritt
The story told on stage during The Shadow King is a tragedy, but the work is a triumph.
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- Matt O''Neill
The production is wisely divided into three discrete acts – each work given time to breathe and be digested by audiences. The importance of this device becomes more pronounced over the course of the production.
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- Lauren Sherritt
In its second Brisbane Festival run, Soap does not fail to live up to the hype with its unique blend of circus, cabaret and opera filling the Courier-Mail Piazza stage.
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- Cassandra Ramsay
Melchior, a suicidal young son whose family runs Klutz Books, crawls out the window each night and sits on the roof, planning his demise. One night he meets Hendrick, a neighbour, whose flyaway badminton equipment has brought her to this suicidal young man.
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- Lauren Sherritt
Performed entirely on treadmills, the show hurtles through an exploration of gender identity and performance, created on a base of champagne, sweat and tears.
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