
While driven by some commendably staggering performances from Iaheto Ah Hi and Taokia Pelesasa, it’s actually an incredibly shallow, unfocused work.

I was wonderfully exhausted after two hours of full-on narrative, soul-searching songs sung with heartfelt gusto and harmonies to cry for!

Berthold’s rendition certainly had audiences laughing throughout its entirety on opening night, charmed by a cast of characters each loveable in their own way.

She Would Walk the Sky is visually engaging, graceful and frenetic theatre that blends the best of circus, music and prose.

A mammoth undertaking, Underground finds director Jeremy Neideck and collaborators building an entire venue (in the style of a Korean speak-easy bar, no less) to tell a fantastical story of love, loss, discovery.

Those who know of and love Beckett’s body of work will relish this 21st century incarnation of one of his radio plays.

The Dark Garden Unplugged is Paul McDermott’s cabaret creation that combines and showcases what he does best.